Beardsell Limited — AGM Information 2022

Sep 8, 2022

==> picture [477 x 114] intentionally omitted <==

8[th] September 2022

To, National Stock Exchange of India Ltd. Exchange Plaza, 5[th] Floor Plot No.C/1, G Block Bandra Kurla Complex, Bandra (E) Mumbai – 400051 Scrip: BEARDSELL

BSE Limited Corporate Relationship Department Phiroz Jeejheebhoy Towers Dallal Street, Mumbai – 400001 Scrip: 539447

Dear Sirs,

Sub: Newspaper Advertisement – NOTICE OF ANNUAL GENERAL MEETING, E-VOTING, BOOK CLOSURE AND RELATED MATTERS

We are enclosing herewith copies of the newspaper advertisements of the Notice of 85[th] Annual General Meeting to be held on 30[th] September 2022, E-voting, Book Closure and other related matters in this regard published on today i.e.8[th] September 2022.

Please take it into your records.

Thanking you,

Yours faithfully, For Beardsell Limited,

KANHU Digitally signed by KANHU CHARAN SAHU DN: c=IN, o=Personal, pseudonym=fda96a475fcee458b85e321710 03982c83d1a215f9d14c6ebe0484ee402449 CHARAN 54, postalCode=600094, st=TAMIL NADU, serialNumber=5d0b82d6fd27dc70b428e3ac 15d2582a0e7cf11a99639b7c8ef00965caabb b36, cn=KANHU CHARAN SAHU Date: 2022.09.08 17:07:57 +05'30' SAHU

Company Secretary

==> picture [88 x 16] intentionally omitted <==

==> picture [446 x 59] intentionally omitted <==

==> picture [944 x 1450] intentionally omitted <==

----- Start of picture text -----

� � � � � � � � � � � � � � �
�
�ய��ெஸ� ��ெட�
B C D D E F G H I J J K L D K J M H N G B O O K P Q R
! " # ! # $ % S T U V W X Y Z [ \ ] ^ _ a [ b c d e f _ g h i j k l m n n n n m o<br>" & ! ' ( ( ! L p q r J K s P P s Q R Q J M Q J H C t u v w q r x E y z p v { | } p q q F ~ E F w  C € p z } w  p r ‚ ‚ ‚ F z p v { | } p q q F ~ E F w <br>' ) * ! + ( !<br>� , + ! - . / வ�டா��ர ெபா�� ��ட அ����, ��ன� வா���ப��,<br>" % ! / !<br>/ 0 1 2 3 & ' ��தக �ட� ம��� ெதாட��ைடய �ஷய�க� ���த அ����<br>� & ² { z  ƒ „ Ä : … £ ž † ‡ « ˆ « ¬ › . Ž ¡ ¢ } « š ‰ Å ¬ Ÿ ¬ Š  š } z ³ ¯ “<br>4 ' & ! ! 5 1 ' !  ‘ ¬ ² { Ÿ { z + Ž š ¬š  { Š Ž  ”  ¬  } Ä Ÿ ~ ~ + š – Š š { • ± Ž « š 9  } } 0 — ~ + š š Š  ˜ ± ƒ « 9„š 0 Ä0 ° ‹ +  ¯ ž ‘ ™ š  « ‘ ‘ ’ ‰ • “ – ” Å ‹ ‘ Œ ˆ • ‹ › 30 ெச�ட�ப� 2022 ெவ����ழைம அ�� காைல 10:00 ம���  –  Œ  ¬ š ¯ « š « 0 | ° ‹ ª ~ | ­ Œ ¬ €  . ‘ œ z ’ | ™ ” › ‘ • } … ¤ £  ž ” Ž | Á + ¬ } › ~ Á . Ž ž ‘ ¥ 9 © 0 ‰ + . ~ Ž . Ž ¯<br>3 « £ { Š } « š ˆ ¬ z ¡ « š › ¤ š ‹  ž ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 + ž ” | + } ~ Á ž  ¥ Á « š | £ ’  — 1  ª z ¯<br>6 4 & & # ‘ «œ š | € Ä + ~ ±  ¢  0 ž ‘ „ ¬ « š   | * ¤ « ž  ‘ © ž ° ž ‘ • ¡ Á ž } ¤ ± Ÿ ­ 0 –  ‰ 0 © ±  ¤ ¡ *  ~ š € Å › Ä ² { Ž  š<br> } ¤ ‹ • } ¬ ˜ ® 0 + ¢ ¡ Œ ƒ ± | « « ˜ ¥  – Ä ~ | + ® ¯ “ † Á Ä ‹ › € « ˜ ¥ ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 + ž « š } — š ˜<br>« š 0 °  ‘ ™ š ‘ • – ‹ Œ › –   š « š 0 ° ª | Œ  ‘ œ ’ ™ ” ‘ • … £ ž ” | + } ~ Á ž ‘ © ›  ¬ “ † Á Ä ‹ › € « ˆ ™ š – œ ’ ™ ” … £ ž<br>A 7 A A 8 9 A A : A ; < = : > ? ? @ ; < = 0 Å  ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 + . Ž ¯ « £ { Š } « š ˆ ‹ £ š ž ¡ Á ž ~ ‡  « ¡ « £ š ž ‘<br>¨ ‘  ¡ 9 ƒ  © ž ° ž ¢ ¡ Œ ƒ ± | « « ˆ ¡ Á ž } ¤ ‹ ¢ ¡ Œ ƒ ± | « « £ ± ¢ ² — ‡ « “ #  #  ¦ # # ¦ ž › ‰ Å Â ƒ ± | « ¤ + ¥<br>� ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 +  ƒ „ Ä : Ž Á ¬ › ž – } + ~ š ° 0 + ­ « ˜ ¯ ¥ ¥ › ¡ ¤ ¯ ª « ¬ ­ « | ‹ ~ Ž ¦ } ¤  Š ˆ ‹<br>C $ D E , . ! ! ' , B ( * ! ² †† ÁÁ | ÄÄ — ‹‹  ›› z €€ ‹ «« . ˆ£ Ž ± « ¯ ¢ ¬ › ¥ # .  ¥ Ž #  › ¯ ¦ § # } # « š ª  ˆ | ‹ ƒ Œ ¦ „ ® ž Ä ‘¯ : ² { z 0 ¡ Å Â Á  ƒ ž „ Â Ä ¬ ¨ | Ÿ ~ Ä + ~ š ª { Ä Ž | ~ Å Œ  œ   Œ Š ƒ ‹ ‘ ± © | © « ² © © µ ~ ‘ ª Ž « ¥ ¬  ­ } ® ¬ ¯ + ¡ « 0 ° Œ ° ‘ ± ž ² ‘ ¡ ³ ´ Á } © ž ¤ ¥   Œ  ” Ä ¶ Ž ~ Á › 0 ¬ Å ¯ › ˆ . ‹ Ž + | š ¥ z ±<br>)) * 3 F ' G ! ! � + B & . . & . ! ! ' H / & 4 ) 0 ' '1 !! — ‘ ™© ¬#9© š ©  ± š 0  – © ± œ ¨ + « ’ ‘  ´ . ™ ˜ ¯ ‹ ¤ Ž ” « ¡ ­ ± ³ ´ ¯ ¦¢… ® * ³ ¬ ž «£ ‘ ›  ± £ ž ¬  ² { ¨ · Ä ¤ ¬ ¦ Š Ž ¥ ›Ÿ ² | } + { œ ¿ «  Ž š { Àš  ˆ ¬ Ž ¬ ¢ ¬ š à ¡  z | ‡ ƒ } µ ¡ Œ ¢ ~ Œ ¥ « { š ž Š š z ž} › Ž ~ ±+ Á 0 ¬ 0 9 ¡ ¤ ¬ Á Á . 0 › › ª | + ž œ ž . z | Ž • ¬  Œ ² « Ÿ ¯ « — | ˆ + « + š — ±£Â { š œ { Ž ± ƒ  Š Å  z „ © ž } ‹ } ± Ä « ž  ~  ‹ š ” ¤ š  ˆ Š ¯ ¡ š £ z ± ± } * « š ž . « ¬ 9 ² Ž š Š † Å 0 | ¡ Á © ± + « — «© Ä š ÂÄ «© ‹  ~ ‘ z ƒ› « « 0 ¼ ‹ — € „ ² Å « ½ ‡ ³ Ę´ ˆ ± ¾ « : œ ‹ ³ ‹ ¥ ´ + ® › š š ³ ¬ › ¬ Ä ¸ ‘ ‘ ¹ ~ ± Ÿ ² º © Å | · © ž  Œ « © } ‘ “ z ž‘ ª « ¬ ¯ š ž œ | « Ÿ } ³ | ´ £ + ® ~ » + ³ š ¬ ³ { ‘ ± Ž ±  œ «² · Œ ˆ ¥ Š } ¥ ¤ “ 0~ ¡ › š + Á Š § ž ž ± “<br>4 ! 5 1 & ' ! ' 3 & 1 ‘ †# ¨ Á } Ä ¤ ‹ Ä › + ž € « ~ ˆ € “ “ #  ¬  # Ÿ “ + « š 0 { › Ž  Â Ä }  ~ z š Ž Š ® ± ¥ 9 ~ – 0 “ + « š œ  z ƒ ¬ „ – Ä „ ‹ ¯ ¯  ¢ ¯ ƒ £ Š Ä ‹ ¥ + ¥ Ä ~ › 0 § Å ˆ ¬ ‹ – „  ¯ | ~ › ‡ . ¢ Š « | à ‹ € | š › ¬ . ‡ Ž « ˜Ÿ ± Œ ¢ ž ž “<br>6 š ¬ ¸ š ¹ ± º « ˜ ¬ Ã Ä ‡: • ¢ ” ž | ¥ + ¥ } ~› Á § ž ² ¬ + š ± ž « ˜ z „ Ä :    ¤ ¬ | Á ¬ ² « ˆ + . … Ž £ µ ž Ÿ “ { ¬ Š Ÿ + ¥ š ¥ { Ž ›  § } ~ ª š Š | ± Œ ® 9 ¯ 0 + ¬ ž š ±  « } ˜ z ± š | « £ £ š » ž ‘   ¥ | ¥ › › . § Š<br>† Á Ä ‹ › € « £ ± ¢ ž } z ­ „ ± « Ä ~ Å ¬ z š ¬ Š  ¦<br>A A A A A A I 8 J : K = ¬ • ¬¬ Ÿš ± + « š ˜ { Ž Ä ~  z } ¥ ~ š … Š £ ± ž 9 ~ 0 ­ + ¬ €  . z ƒ | „ › Ä ‹ } ¯ ¤  ¢  ƒ Ä ~ Ä + ‹ £ + š Ä ž ~ ‘ 0 Å ˆ ‹  | › . Š  Œ ¬ ¯ « £ ž ¥ ¥ › § ª | Œ ® ¯<br>� ª • } z š | £ »  ¥ ¥ › § ¬ š ± « ˜ Ä : # ˜ } ¤ Ä + ž ~ € “ #  # #  « š | £ ’ ‘    ² { Ž   ”  Ä ~ – •  ¥ Á Š ¬ ‡ œ<br># ’ } ¤ Ä + ž ~ € “ #  # #  š | £ 1 ‘    ² { Ž   ”  Ä ~ – • ¬ |  … + Ä ~ 0 – Ÿ ± ¢ ž ‘  z | › . } z š + € { Š<br>! # H ! } z š | £ »  ¥ ¥ › § ¬ š ± « ˜ Ä : š ¸ ¹ º ¦ › ¯ Ž Á . z Ä ~ Å ž ‘<br># $ , # 6 ! ' ( 3 ± • Ä Ÿ † Á Ä ‹ › € à € š › . Ž ¥ Å Š ¬ š ± « ˜ . z ¦ + ¥ “  ¬ € z › Š ¬ š ± | « š ¡ Œ  ¨ Ž ± « Ä ~ + š 0 + š € ‘<br>! ' ® • ¥ ¥ › § ¬ š ± ¢ Ä ~ Ž ¦ ª | Œ … £ ž ¬ š ± « ˜ Ä ~ z ¡ « š › ¬ ¤ Ž ¤ ž ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 + . Ž ¯ œ | + ± ¢ ž<br>B ( ! ) 3 ! B ' ¡ Á ž ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 + . Ž ¯ « £ { Š } « š ˆ £ ž † Á Ä ‹ › € « ˆ } z š | £ »  ¥ ¥ › § ¬ š ± ¢ Ä ~ Ž ¦<br>� % H L ! H ! … £ ž ¬ š ± « ˜ ± « š z ¬ € « ˆ ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 + . Ž ¯ z ‡ « ˆ † ­ | |  Ä ~  ¥ ~ Å . z ª – ¤ ž ‘<br>� % ! / 0 1 ( « • } z š | £ »  ¥ ¥ › § ¬ š ± « ˜ Ä : … £ ž ¬ š ± « ˜ . z † Á Ä ‹ › € « £ ž ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 + . Ž ¯ « £ { Š<br>& ' } « š ˆ ‹ £ š ž › › š ¯ Å ‰ Å ž ¬ š ± « ˜ ± « † ­ | } ~ Œ š 0 + š € « ˆ ‘<br>� & & Æ • « 0 › Â Ä  z Ž ® ¯   z š ¬ Š – ¤ ž ~ € # ¨ “ #  #  • † Á Ä ‹ › € « ˜ ¥ ~ Ž  ¬ Å Â ¯ £ Š } + ~ š ° 0 + ­ « ‹ š ¯<br>ேவ�� ந�� ம���வமைன�� 4 ! ~  š ­ ± « Ä ~ Å ž ” ¥ | ~  ± ¢ ž † ­ |  š ‹ € « ˜ ¥ ~ Ž  ¬ 0 – ¯  š Ÿ | +  } ~  € ~ Ž ¦<br>' ! ' } ¤   Ä ~ 0 Å ˆ ‹  z š “  ¬ € } z š | £ »  ¥ ¥ › § ¬ š ± « ˜ ± ¢ ž ¬ ¤ Ž |  Ä } ~ Á ¬ z ¡ ¢ ž  ¯ £ Š<br>! 5 1 3 ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 + . Ž ¯ ¬ š ± « ˜ Ä ~ z ¡ ¢ 0 Å  z ¢ Ž ¤ | +  ¬ € ‘<br>4 & & ¾ • ¬ Ÿ + š { Ž  } ~ š Š ± 9 0 +  ƒ „ Ä :  ¨ Ä ~ Ä ~ 0 + ‹ Œ ¢ Ž Á ¬ › . Ž ¥ ~ ‡ ¢ « | ‹ Ä } ~ ¡ Á “ Ž Á ¬ › . Ž ¥<br>ேத�ய ஊ�ட�ச�� வார �ைற� �ழா 6 † ¡ Á Á Ä ž ‹ › ~  ‡ š ¢ œ “ « ~ 0 ­ › š ¡  Œ Ä  ª z Ž « ¬ ® ­ ¥ ¥ ~ –  ‘ ~ Ç È ‡ ’ ¢ ‘ • « | É ´ ¼ ‹ « ¯ ½ | ² ­ ¬ Ê . ± ¬ Ž · Ÿ « ² ± ³ ¢´ ® ž ³ ¬ ‘ ©± ² { · z } © ¬ ¥ š Œ Ÿ ” ¥ ~ ¥ Ÿ › ž ¡ “ Ž ¤ Á Œ ¬ ± ¢ › . Ž  « ¥ š ­ ~ ± Ž | ¬ « š | ‹  €<br> ¨ Ä : ¬ z ¥ … £ ž † ˆ Ë | à ¦ ª « ¬ ­ ¡ Á ž « + ¦ * } ¤ š ¯ „ ¬  ‡ « | ‹  ¬ ­ | ¤ © ‰ • } ~ Œ £ š ž ‘<br>A A A A A A 9 8 M @ : N : O ; < © Ì ¬ š Œ š ® ¨ ž “  { z ” ~ € ž ¡ « ›  ¬ š ¸ ¹ º ¦ ¯ ¥ ¥ › § ¬ š ± ¢ Ä ~ Ž ¦ ± « š « ~ Ž ¦ } ¤  Ž Ÿ { z š ¯ “  { z ” ~ €<br>¬ š ± « ˜ ± « ž ¡ « ›  ¬ † ˆ ‹ † ˆ Ë | à ¦ „ ¬  ‡ « | ‹ Ä ~  ¥ ~ Å . z £ š ž ‘<br>� Í • © ¥ © ¥ © › ‘ « ¼ § ² ½ ³ ´ ¾ ¬ ³ ´ š ® ± ³ ¬ « ‘ ˜ ± ² Ä · ¦ : ¯ } z œ š | + + € ~ ± š ¢ › ž   « ˆ – „ ± « « – ˆ   « 0 ¯ « £ Ä Š ~ Å ‹ ž  *  ° « | ˆ › „ « « ˆ ˆ ²  Ÿ ‘ Î { ’ Ï z ¯ š ‘ ¯ • “  ¡ Š Á ž ¢ ƒ † . z Š „ Ä † Á ‹ Ä­ ‹„ › ¥ € « ¿ ˆ À<br>நைடெப�ற வார ஊ�ட�ச�� ேவ�� ந�� ம���வமைன�� �ைற� ேத�ய அவ�ய� ேவ��, ெச�.8– ஊ�ட�ச�� �ழா��, ப��ய ப�ேவ� ேநா�களா� பா��க�ப�� �ைல உ�ள�. ஆ��ேலய� ஆ�� கால��� நம� நா��� ஏ�ப�ட உண� ப�றா��ைறைய சமா��க ேவளா� உ�ப��ைய அ�க��க ஆன�த�மா� �ற�� ����னராக ப�ேக�� ேத�ய ஊ�ட�ச�� வார �ழாைவெயா�� ஊ�ட�ச�� ேவ�� மாநகர ேமய� �ஜாதா அவ�ய� நட�த�ப�ட ப��ய P(4) ( ' P ! 6 � � ! & ! & ) P & # $ ! ' / Q ! P ! H H & 0 ! 1 6 ) ! # ( ' R 31 6 G( ' ! § ‘ †~ Ž ‡ ¦  « †‹© ˆ ~‰ ¥ ˆ ¨ } ± ‹ ¤ ¬ ¥ ‘ Ä   Ÿ “ ¥¥ ~  © ¦œ ž ¥ › Ä ‰ ‹ ž ~ › ¡ ª ‘ Ä 0 à § Ô ¤ † « + Ó Õ ¯ Á ¬ Ö ¥ ¬ × ¦ ­ Ä Ø ª ¥ š ® Ø ‹ ± « × › ¯ › « Ù ¬ Ú ¤ ˜ ¡ € Ø ­ š › « | ÄÛ ¤ ˆ Ž Ü : ¯ £ € Á ֖  | “ Ù ª ž ¬ Õ } « ¦ á  « › ¤   ¥ £ ¬ ¥  ž ¥ ­ 0 | ” † ± – › | – › ˆ ¯ ¢ } ¡ ‘ + ‹ + ¥  ¤ § ~ ~ ~ ¯  ¥« š Ž  š € ¥ ° › â ± ¦   ã «0 ä § #  å £ + “ Âæ š š ­ç } ž è ¬ Œz « é Â~ š š ê š ±¬ ë ‡€ | ¯ Ä « £  ì £ ˜~ £ í « «   î ¡ Š Ä  ~ ª æ ~ : 0 ° é š Í ± « ‹ã « ä « ¬ © ¤ ° Ð ï Ÿ š € ‰ ® ­ › ã Ò í + « ® ¯ à ì‘ ¤ ¥ Ñ † ¯ é Ô ‘ « î Õ ˆ ¼ ~Ž ¦ ËÖ ² Ž ½× µ Á ¯ Ø ³ | ´ ¦ Ø ¾ ¥ ¬ } × Ã Ê Ù z} › } ¦ Ú ± + š Ø. ® ¤ +¯ „Ž  Û0 ° Ü ³ € ´  “ :¥ ¬ Ý ® Õ Ä ³ ¬ ¢  } Ü ~ ‘ } ‡ Ä ± « 0 Þ ² ¤  « š ·  Õ – ˆˆ ¦ Ö £ Ÿ ‹ ± Â Þ { š £ ¢ ‹ zÕ  ¨ š Ù | š ¥ ¥ ž ¯ Ä Þ ‘  ¥ ~ “ Õ Â ‹ › Ä Ý † ¯ ~ Þ¯ ¡ ‡ Å – Õ £ « ¤ Ø ‡ ž Š ¯ ˆ ß ‘“<br>�ேலாக�க� அட��ய பதாைகக� இய�ைக உர�கைள த���� ராசயன �ேலாக�க� அட��ய �வெரா��க� 4 ! Ž ¬ Á Ÿ ¬ + š › { Ž ž  – Â} + ƒ ~ ± š | ° 0 « + ­ ¡ Á ~ ‡ ž  ¥ « ¡ ¥ ~ › š ‹ § ­ + ¬ ž š † ± « ‡ ˜ « ˆ Ä ‹ ¥ ¡ ¥ « š › › ¡ † ¤ ¯ ˆ Ë ª | « à ¬ ¦ ­ | „  ¬ ð  ‡ ‡ « « ˆ | ~ ‹ Ž Ä ¦ } } ~ Œ ¤  †  ‡ „ « ¯ ˆ | ¥ £ ¥ © › ¥ ¡ Œ š ¤ ¯ ¯ “<br>உ�வா��� ெவ�� ெப�றவ�க��� ேபா��க�� ந�� உர�க� உ�வான�. பய�ப���� �ைல உ�வா��� �வெரா��க��� ேபா���� ப��க� �ற�த 4 ! 5 1 & ' ! ' 3 & ª³ • « ¬ « š ­ œ | z  ¬ ~ – Ž „ ¦ ¯ } | ¤  ¬  . Š ¿ ˆ  à ‹ † ~ ‡ ˆ ¢ ‹ z ¬ š  Á € ª« ˆ |  Œ  «  | ~ š ‹ µ Ä  ‹  ¥ š © ~ ¡ ‰ Œ “ ¦ ~ ž ‡ ‘ ¢ z š  ­ ¥ } ~  € “ ~ ‡ ¢ * ¤ š ¥ ƒ z Á ¥  « ¥<br>ம���வமைன தைலவ� �.�. ச�ப� இ�� வைர அ�த �ைற வழ��னா�. அ�ேபா� அவ� 6 › } ¤ z  š  € Ä  › ~ 0 z + š € ” « « š ¯ € –  ¥ ª ¥ ¢  ¡ ¤ Á š ¥ ž Œ ‹ ˜ ¥ ± • « “ Ä ~ ~ š ¥0 +  ~ š ¥  « « ¥ š € – } ¥ ¤  ¢   Ä ~ ¤ š 0 ¥ + Œ ” ˜ « ± ¯ « • Ä  ~ ~ 0 š + ¥ Œ   z « ¥ | ¬ }  ¤  š ›  Ä „ ~ 0 ¬ +  ‡ ” « « | ¯ ‹ • “<br>தைலைம��, �ற�� ����ன� ெதாட�வதா� உ�ப��யா�� ேப�ைக�� ��யதாவ�:– Ž Á ¬ › . Ž ¡ ¢ – › € – ž ¦ ¥ ¥ ¥ › ¡ ¤ ¯ ª « ¬ ­ ± ¢ ¥ ¥ › ¡ ¤ ¯ … £ ž ¬ à ‡ « ¦ ž ‘<br>ேவ�� ஆன�த�மா� ப��க� வழ��னா�. ஊ�ட�ச�� �ைறபா� காரணமாக மாநகர ேமய� �ஜாதா உணைவ பய�ப���� ம�க� உட� ��யான ப�ேவ� �ர�சைனகைள ச����� �ைல உ�ள�. ���பாக ேநாயா�க� ���ைச ெப�� வச� ெகா�ட ‘ேவ�� மாவ�ட��� உடன�யாக � A A A 9 A A S A K : T : U S @ : V @ : T ³ ³ • z ¥« › p — ¥  z › p ± š ô ¢ € § ~ w  « v š { ¬ ƒ € õ – – ± C ¥ „ ñ| « ¯ E ¢ ® {  | ¥ D ¬ ò¤ ” . š ñ « ¥ Š G ¯ Œ s ˆ K “ ˜ H ‹ ~ ± š | ~¥ « w ‡ ó Ä w  ~ ¢  ~ 0 z š ñ + ¥ š N  C € ñ « « š ˆ €  ö –  « z B ¥ ¥ G  C ¢ ñ ¦ }  • ¤ “ }  ¤ } ¤ š  ¥  ~ Ä Š Œ  ~ € ˜ 0 “ ¥ + ± œ ¥ « | ”Ä › ~ ‹ « § 0 ¯ ‰ + • « 0  — ~  š ± š « ¥ ¢ ¥ Œ + „ } €  ¤ ¬ z    |  ‡ ¯ ¬ Ä « £ ~ ˆ  Š 0 š ›  + BÄ ñ Ÿ” „ ò « ‡ G ¯ ¬ œ s K •  | “ H ‡ › — « | | z w { ó š z‹ w €<br>ச��கைர ேநாய�க�� எ���ைக ச��கைர ேநா�, வா�� ெதா�ைல, ம���வமைன இ�லாத �ைறைய Ž Á ¬ › . Ž ¡ ¢ – › € – ž ¦ ¥ ¥ ¥ › ¡ ¤ ¯ ª « ¬ ­ ± ¢ ¥ ¥ › ¡ ¤ ¯ … £ ž ¬ à ‡ « ¦ ž ‘<br>நா��� நா� அ�க��� வ�� �ைல இ�தய பா���, ேதா� ேநா� ந�� ம���வமைன அைம�� ! ' W " * ( . ! ! # $ � W & ! ˜ ‘ Ž ¨  Á } ¬ ¤ › Ä . + Ž ž ~ ¥ € # †  # Á # Ä ¬ ‹ | ›  €  « ² ˆ  ‰ ~ Ž Å  ” ¬ š 0 Å « | ‹ ¡ Á ¤ ž ž † ~ ˆ ‡ ‹ ¢ + ± œ ~ ­ • … š ¡ + Œ Ä ~ 0 : . – z Ÿ « ± ‡ ¢ « ž ˆ ‘ # — } ¤ Ä + ž ~ € #  # # ª z ¯<br>உ�ள�. ச��கைர ேநா� எ�ப� ெதா�� ேநா� அ�ல, பர�பைரயாக வ�வ��, ரசாயன உர�க� �ல� உ�ப�� ெச�ய�ப�� உண� உ���ட ப�ேவ� உட� பா��� அ�க��� வ��ற�. ந� நா��� ச��கைர ேநாயா� 7.3 ேகா� ம�க� பா��க�ப���ளதாக த�ேபாைதய அத� தைலவ� �.�. ச�ப� ேபா�� உ�ள� ம�������யதாக உ�ள�. ஊ�ட�ச�� உலகள�� ���ய அவ�ய� ெபா�ளாக எ�ப� WH/ ' ' ) 0 1 ' ! P ! E ) 2 E 2 + * ! ! 4 � & % & + & ' !!! • ‘ à ¬ª € š Ÿ ¥ € * + š ¬ ³ š { ¨ à  Ž Ä ‡ “ ~  z « # } Ä ¡  # ~ ~ « # Å š š ¦ Š › ¯ ž ± ‘ ø ~ 9 ª Ž 0 – ¦ + ¬ . . | Ž  z + ¯ {Ž z  ø  ‡ Ž š « ¿ Ž « #  ¨ ­ š ± } ‰ « ¤ Ä Ä – ~ ¡+ 0 ž « + š ~ › š € ¯ # “ ²  ÷ # Á ¦ # Ž . } ¬ } ÷ z ˆ ¦ š ˜ . | } ± « z œ # š à ’ | |  « ± ± | «  š  + › š Ž ~ Á † € Á ¬ #  › Ä # ‹ # ž  › Ž € ¥ € « — Á ˜ ® ¥  . ¯ Š † £ ˆ ­ Š | ‹ Š  ‘z| ² ¡  Š ¢ .<br>வைகக� ம��� வா��ைக �ைற மா�ற� காரணமாக அைம��றன. ��� �வர� ெத����ற�. ஆேரா��யமான உ�ள�. உணேவ ம��� எ�ற �ைல மா�, ம��ேத உண� எ�ற 4 ' 3 & ! ! 5 1 ' !  z Ž   ˜ } ¤ Ä + ž ~ € “ #  # # ‹  € 0 } ù « ¯ ¥ µ Ó ¥ ú } ¤ +  ‰ 0 Ä – Ä ¤ ¡ ~ š Ó « ž š – ¦ ú «<br>90% ெப�க��� க��ப �ைல உ�வா� உ�ள�’. 4 & & ² + ž  } ¤ ¥ | › Ž Á ¬ › } ¤  £ š ‹ €<br>வள����� ...<br>கால��� ஊ�ட�ச�� �ைறபா� இ� ேபா�ற உட� பா���க�� நட�� ���த ெச� ஒ���யா� 6<br>காரணமாக ச��கைர ேநா� ேபா���� �தலைம�ச�<br>உ�வா�� �ைல உ�ள�. எனேவ இ��� உட� வள����� �ள�� ஆேரா��யமான ஊ�ட�ச�� �.க. �டா�� ேப�ைக��, A A A A A X A 8 7 : O V Y : O Z : O<br>ஊ�ட�ச�� அவ�ய� எ�ப� ஆேரா��யமான உட��� பார�ப�ய<br>அவ�ய�. இ��ய வா��ைக �<br>இ��யைமயாததாக க�த�ப��ற�. உண� �ைற அவ�ய� எ�றா�.<br>�ைற�� ���பாக த�ழ�க��<br>இதைன க���� ெகா�� ந�� மா�ல��� ேவ�� மாவ�ட�ைத !<br>ம���வமைன �ைற�� சா�பாக ேத�ய ஊ�ட�ச�� வார ம���வமைன ெசய� இய��ன� டா�ட� பா� ெஹ�� வரேவ�றா�. �ழா நட�த�ப�ட�. ஊ�ட�ச�� வா��ைக உண� வ���ற�. உ�ப���� த���� �ைற இய�ைக �ைற�� ராசயன எனேவ ���ய உர�கைள உர�கைள பார�ப�ய உண� ப�� ஊ�ட�ச�� �த� நடவ��ைகக� வ��ற�. இ�வா� அவ� ேப�னா�.மாவ�டமாக �ைறபா� எ��க�ப�� உ�வா��� இ�லாத Q#H ' 4 & ' ' ' 3 � ' [ & ! & & / ' ! # & ! H $ Q 0& # 1 & & ) 2 6 F1 !!!<br>தைலைம வ��தா�. அ�ேபா� அவ� �ழா��� தைலவ� �.�. ச�ப� பய�ப���வத� ஆேரா��யமான உண� ம�க��� �ல� ம���வ �க����� ந�� ம���வமைன க�கா��பாள� ! 5 1 ' ! 4 ' 3 !<br>ேப�யதாவ�:– உட� வள������, �ைட���. ேம��, �ள�பர�க� �ல� ��த உண� வைகக� டா�ட� ேமலாள� ���� ச�ப� உ���ட ேஜ�க� ேஜா�, ெபா� 6 4 & &<br>ஆேரா��ய�ைத ெக���� த�ைம<br>ஆேரா��ய����� ஊ�ட�ச�� பல� ப�ேக�றன�. ����<br>�க ���யமானதா��, ெகா�ட�. எனேவ ஆேரா��யமான ம���வமைன தைலைம இய��த� A A A A A \ A 8 ] < : O V ^ : V _ a
உட� வள����� பார�ப�ய உண�
வள���யைடயாத நா�க� ம��� அ�வல� ம�மாற� ந�� ��னா�. �
�ைற அவ�ய�.
ஏைழ நா�க�� பய�ப��த�ப�� இ�வா� அவ� ேப�னா�. இ� ப�� அ�ய www.naruvihospitals. ! #
உண� �ைறக� காரணமாக com வைலதள�ைத� பா��கலா�. % 6 b ! P $ C b
� ' . ( * ! � !
' F * $ ( G ! H
���� � ச��ர�ர� ெஜ�� க����� #4 ! ! / # & 0 C ! Q & ' '
� &
&
�தலாமா�� மாணவ – மாண�க��� 4 ! ' !
' ! 5 1
3
4 & &
உ�சாக வரேவ�� 6
ெச�ைன, ெச�.8–
க����� �தலாமா�� மாணவ, ���� � ச��ர�ர� ெஜ�� � 9 < @ A a A a A V A O A A c : O T V ; < : > 8 d
மாண�கைள வரேவ��� �க���
பகவா�மகா�� கைலயர��� ! % P & !
கட�� வா��� ம��� த���தா� # $ W ! % 6 E ! ' ( 1'
வா���ட� ெதாட��ய�. ) ! H . . !
�ற�� ����ன�க� 4 & & ' 0 1 (
����ள�ேக�� �ழா�ைன� � & &
ெதாட�� ைவ�தன� . �ழா�� 4 !
' ! ' !
ெதாட�கமாக க���� ெசயலாள� 5 1 3
ல���மா� ஓ.ெஜ�� மாணவ�கைள 4 & &
வா���� ேப�னா� . க��� 6
ெபா��� �த�வ� நா.�ஜாதா
c 8 U ` _ :
க����� �ற��� ெசய�பா�கைள A A A A A A
எ���� ��னா� . அவைர� �
ெதாட��� �ற�� ����ன���
க��� ��வாக��ன� �ைன�� ேவ��� . க����� ந�ல ெபயைர தைலவ� எ� .��ம� ேமாக�ரா� % 6 # ! # $ " # ! # & !
ப�� வழ��னா�க� . �ைறவா�யாக '
�ைற�தைலவ�க� , ேபரா��ய�க� எ���� ெகா��க ேவ��ெம�றா� . இ�ப���� உ�ள ���ைலக� ேப�ைக�� , மாணவ�க� �க��� உ�யவ�களாக வாழேவ��� . )H * ! 4 ) ' & ! & H . # !!
அ��க� வ���� ெபா��பா��ய�கைள�� ெச�� ைவ�தேதா� ம��� சாைலகைள� ��ைமயாக ைவ����க ேவ��ெம�ற ேநரான வ��� ெச�ல ேவ��� . ெப�யள�� ல��ய�கைள� / & 0 1 � & & '
அ��க� ெச�� ைவ�தன� . �ற�� ����னராக ���� ேகா��ைகைய �� ைவ�தா� . ெகா����க ேவ��� எ�றா� . 4 ' ! ! 5 1 ' !
ேபாைத� ெபா��க��� க����� இலவச ��தக�க� 3
ஒ��ய� ெப��தைலவ�� ஆ�படாம� இ��க ேவ��� . வழ��� ��ட����� 4 & &
அலேம� அ�மா� க�� அற�க�ட 6
ந�றாக ப���� மாணவ�கைள மாணவ�க��� ��தக�க�
ைள�� இய��ந�மா�ய �.ர�
ஊ������ வைக�� உத� ெச�ய வழ�க�ப�டன. அதைன�ெதாட���
உைரயா��ைக��, மாணவ�க��� அலேம� அ�மா� அற�க�டைள கைல �க���க� நைடெப�றன. A 9 A : A A @ A : A _ : O : c : T : O 8 9
வா���கைள� ெத���தேதா�
கா��� ெகா�� இ���ற� எ�றா� . �ைறவாக க�த��ைற� தைலவ� �
மாணவ�க� ப����� ,
���� ஒ��ய ேப�ரா�� எ� .�����மா� ந�� ெத���தா�.
ஒ��க���� �ற�� �ள�க
! , B ! P $ # B 6 !
f g h i j k l m n f g h i j k l m n f g h i j k l m n f g h i j k l m n ' ' ( * + ! 3 ! # .
¦z ©¬¤-} º { § € ” ¥ " ¾ ° ˆ * ¨ y | ‘ Á ¶  ±1 $ »  š z % ¢ ~ ¸ &  Ÿ • ¿ š ž‹ ' .  |œy 2 Œ • “ { } ¯“ 3 à r z ~ ¶ ±“ » ˆ  ««( r  ( Ä + ¬ € x  ´ r  ˆ © z ~ ž ) / µ x ¥ Ž Å † , ¾ ” ‚ Œ €  œ» € v q š “ ·  ¥ ‚p 4  v| Œ ª ( — «‚ ¥ ‘ 5 «  … £ š x ¬ ¨ ‘ xu µ¬ ‚ š ‘ 2 # ­ ‚ ¤ 0 ²  Š!t œ ® 3 t +  ‚! ³ ¹ ­ ¯ ž ‡ yy ““ À ä�õ� ËÿÆç åõäõ Ç ô × ä æÈ ä öö ú Ø É ç Ù û Ò æ  Êè Ú è ñ Ë é Ï è ï Ú é Ç í | ÷ � å ê Û ê Ì Ã ê ê Ü ø Ò �Í ± Ç « Í ë ù � Ý ú Ä Ì Þ æ ï ì �~ û � Ê Ø í Î Ù ò ô Å ê ò Ñ ßî Ï ë á Μ ó Ðï ï ý ü  ð ô Ñ ê à Œ ò � ñ Ò á Ï Ñ ¥ Õ Ð îò ý ‘ ô Ï õ ò Ò â ï Ñ â � ÓÕ ý Ï ó ï � Ô ã þ ô Õ � ê ÖÖ z ‹}§¬© ; ¨ ” ¥ € Œ z < ° § {‘ { 5 Á ˜ ± # : z ¦  | ¢ = ­    z ž > “ “ “ 6 5| 6 … } 9 ´ … à ‚ ~ © ‚  ‰ <± Å z ¥ z ‰ 5« Ž€ € Œ ‚ Ä  ” ‚ ƒ }~ 5  :ƒ … š z Å … ¥ ­? ‚ ‚ Ÿ œ @ 6 “5  7  …Œ A7 ª š • ƒ  ‚¬ ¥ < ‘ ƒ ‚ « « ‰  0 ‚ ( º ¬ § ‘ š ( 8 0 + ‘ ‚ <  ­ 8 … ² ƒ | ž 5 ’ … ® ‚ … • ‚ ³ ‰ + = ‚ ¯  ¦ ‰ y y ““ À ´ }‹}§¬©  ” ¥ Œ µ ~ °  ¡ {‘ ¶ Á ±  · z ¢ ¸ € • ¢   –· o¹ ¨ ž — p ¨ ˜ µ | q “ “ · p à r  š± s z ž « ™ t Ž ~ Ä o º t š © £ ~ p › q» u ¥ Å ž ¼ ‚ œ v Œ” w ½ ƒœ  µ š x „  š … ¥ ¾  ž Œ v ª † y }  ¶ ‡ ¥ · ‘ « ¤ ˆ ¶  ‡ » ¥ ‚¬  ‘ z ¸ ‘ ‰ }  |­ { ¿ ² Š z ’ ® » | ‚ › ’ ³Ÿ ¸ ‰ ¯ ’ z ¦ y ““ À /4#� ' 6 3 4 & . 0 1 ! � # G & ! ! ! � 4 H )& & 5 & 6 '1 ' ' !!
Æ Ç È É Ê Ë Ç Ì Í Í Ì Ê o p q p r s t t u v w x v A A A A A I A V N < O S e @ V = : 8 J
----- End of picture text -----

5

THURSDAY 08 - 9 - 2022

==> picture [133 x 31] intentionally omitted <==

Akkarai sisters soulful music with creativity at Mysuru concert n the second day of the the good fortune to learn this Heritage Music Festicomposition from them. Neraval O val at 8th Cross, V.V. at ‘anayambunee naama vachana Mohalla in Mysuru, seya’ was satisfying. Deekshitar’s Akkarai Sisters — Vidushis Ak‘Hiranmayeem Lakshmeem sada karai Subhalakshmi and Akkarai Bhajami’ in lalita, though a mere Swarnalatha — presented a vocal presentation, had clarity in minconcert with Vid. Vittala Rangan ute things. ‘Devi Kamakshi’ in on violin, Vid. K.U. JayachanSumanasaranjani was a surprise dra Rao on mridanga and Vid. as it is a composition of the Vazhappally Krishnakumar on varna in sri, the musical expresyounger of the sisters Swarnalghata. These two musically gifted atha.Subhalakshmi’s Shankarabsion emerged clearly in their sisters won the hearts of the singing. In each of the composiharana was exhaustive and solid. listeners with their singing. tions, the Sahitya was clear and Vitthalarangan’s version on the Can one be equally competent they had no piece of paper or violin was equally appreciative. in vocal music and an instrubook to refer to. ‘Keta varum ‘Akshaya Linga Vibho’ by Deekment? These sisters have proved shitar was majestic with a detaruvaan’, a composition of yes. We also have a few rare tailed neraval and kalpanaswaras their grandfather Suchindram examples in the field — T.N. � � � � � � � � � � � � � � � , brought all at ‘Badari vanamoola nayika Seshagopalan and Ranjani and sahita’, followed by a thrilling the five ragas of the ghana raga Gayatri. While it is good to taniyavartanam by Jayachandra pancharatna, wherein a beautiimport the vocal style into an Rao on mridanga and Vazhapfully knit chitteswara followed instrument playing, the vice versa pally Krishnakumar on ghata. is not true. the sahitya in each raga, finally The concluding part of the The sisters’ rich music hericascading into the pallavi in the tage and gruelling training under reverse order. concert was very pleasing, which included Purandara Dasa’s ‘Baliya great stalwarts have earned them Bhavani, rarely taken up in manege vamana bandante’ uganame and fame. Renowned for concerts for elaboration, was boga in ragamalika (Hamsanandi, their soulful music filled with handled alluringly by Swarnalatha Hameer Kalyani and Lalith) folfine nuances and creative artistry, leading onto ‘Kanikarambuto’, a lowed by devaranama ‘Barayya today the sisters hold the unique composition of kalyani VaradaVenkataramana’ and ‘Ranga Baaro distinction of being amongst the rajan in adi tala, which was Panduranga Baaro’ in Sindhubforemost musicians in the field popularised by the Hyderabad hairavi. in both vocal and violin. sisters. The sisters remembered Right from the ‘Samininne’ with gratitude that they had Dr. Padmavathi Narasimhan

Actor Jai to play crucial role in ‘Jailer’

Chennai, Sep 8: Rajinikanth is currently shooting for his film with Nelson Dilipkumar titled ‘Jailer’. The first look poster was launched a few weeks back and the latest report suggests that actor Jai will be playing a crucial role in Rajinikanth’s ‘Jailer’. Reported to be an action drama, Rajinikanth will be seen in an elderly role as Jailer as the title suggests. Nelson Dilipkumar has been building a suitable star cast to make the film powerful, and actor Jai is said to be the latest addition to the film’s cast. officially confirmed as the star care of the visuals. The first Jai will be seen in an important cast of ‘Jailer’, while Aishwarya schedule of shooting is happening role, but he might have a short Rai Bachchan, Tamannaah, and in a film city in Chennai, and appearance. Priyanka Mohan are also said Ramya Krishnan, Vasanth to be part of the film. Anirudh theteam will be heading to HyRavi, Vinayakan, Yogi Babu, Ravichander is scoring the music, derabad soon for the next phase and Shivarajakumar have been while Vijay Kartik Kannan takes of shooting. Actor Arya performs 20-ft underwater action sequence in ‘Captain’

The sisters’ rich music heritage and gruelling training under great stalwarts have earned them action sequence in ‘Captain’ name and fame. Renowned for their soulful music filled with Chennai, Sep 8: it since it was December, when the winter is at its fine nuances and creative artistry, Actor Arya’s scrutiniztoday the sisters hold the unique peak. What turned out ing efforts in nurturing distinction of being amongst the his onscreen characters to be more challenging foremost musicians in the field have earned him great was to shoot the action in both vocal and violin. acclaim. The visual prosequence under the rain Right from the ‘Samininne’ effect. I was lifted to a mos of his forthcoming height of 20ft through the release ‘Captain’ have crane, and for the next revealed that he has yet 3 days, it was a terrible Japan lifts again greased his elbows to amuse us with his task to accomplish. When I thought everything was entrycap on powerful performance. over, Shakti again inWhile everyone is in awe formed me that the conof the final shot from the daily arrivals tinuity sequence had to be trailer, where he faces a Japan, Sep 8: is a particular action seating challenge. When filmed underwater at 20ft mammoth alien creature, Japan has recently lifted the daily quence staged between Shakti informed me that depth in Mumbai during actor Arya shares his entry cap on arrivals to the country experience of shooting my character and a 120he has decided to shoot the first week of Janufrom 20,000 to 50,000, in a bid to ft alien creature. I never the climax in Munnar, I ary, when the city was boost the ailing tourism sector amid this challenging action expected that it is going was a little doubtful if I drenched in high winter. the Covid-19 pandemic. sequence. to be such an excruciwould be able to process So, the whole process Also effective from Wednesday, Actor Arya said, “There was completely tough. travellers coming to Japan will be And now, we are happy exempt from taking Covid-19 tests to see that our hard work 72 hours before departure if they Dhanush’s ‘Naane varuven’ fi rst single out have received three vaccination shots, has paid off well with the reports Xinhua news agency. Chennai, Sep 8: top-notch final output. I Japan has been looking to bring One of the most expected Tamil am sure audiences will its entrance protocols, once the most film this year, Dhanush’s ‘Naane have a great theatrical rigid among the G7 nations, in line Varuven’ is getting ready for release experience watching those with other major economies. and the film is slated to hit the big sequences.” The government is now screens this September. Scheduled for worldencouraging travellers to The first single song from Dhanush’s Naane Varuven is officially out on wide theatrical release visit the world’s third YouTube and other audio streaming on September 8, 2022, largest economy and take advantage of the weak platforms and the song is called ‘Veera Captain is written and diSoora’. rected by Shakti Soundar yen, which hit a fresh 24year low on Wednesday, Yuvan Shankar Raja’s musical ‘Veera Rajan and is produced by which bolsters tourists’ Soora’ is an energetic track. The theme Varuven’, which is directed by SelThink Studios in associapurchasing power while track explains the dark shade of the varaghavan, and the film marks the tion with actor Arya’s The here and will help the lead character, while the lyrics for the duo’s reunion after 11 years. The Show People. country’s tepid economic

==> picture [285 x 162] intentionally omitted <==

Dhanush’s ‘Naane varuven’ fi rst single out

recovery. Japan is still grappling to run rampant nationwide. with a seventh wave of the Despite the high infection rate, pandemic, recording record cases the government has not declared a in recent days. Covid-19 state of emergency and This is due to the highly has not instituted any anti-virus transmissible BA.5 Omicron restrictions as was the case when subvariant of the virus continuing infections had previously surged.

Chennai, Sep 8: One of the most expected Tamil film this year, Dhanush’s ‘Naane Varuven’ is getting ready for release and the film is slated to hit the big screens this September. The first single song from Dhanush’s Naane Varuven is officially out on YouTube and other audio streaming platforms and the song is called ‘Veera Soora’. Yuvan Shankar Raja’s musical ‘Veera Soora’ is an energetic track. The theme Varuven’, which is directed by Seltrack explains the dark shade of the varaghavan, and the film marks the lead character, while the lyrics for the duo’s reunion after 11 years. The song sung by Yuvan Shankar Raja are major portion of the film has been penned by Selvaraghavan. shot in Ooty and the film is reportThe trailer of the film is set to be ed to be based on the concept of launched soon, and the video is exDeja Vu. Elli AvrRam and Indhuja pected to have the film’s release date. play female leads, and the film also ‘Naane Varuven’ is said to be clashing has several known faces in interwith Mani Ratnam’s ‘Ponniyin Selvan’ esting roles. Selvaraghavan is also at the box office, but we have to see playing a key role in the film, but whether both films release on the same he won’t be sharing the screen with date or one day ahead of the other. his brother Dhanush as both appear Dhanush plays a dual role in ‘Naane in different chapters of the film.

Telesys Info-Infra (I) Limited

(Formerly known as TELESYS SOFTWARE LIMITED)

(CIN: L70200TN1992PLC023621) Registered Offi ce: No 1/L Blackers Road, 2F Gaiety Palace, 2nd FloorChintadripet Chennai Tamilnadu, 600002. Email: telesys1992@yahoo.com, Website: www.telesysinfo.in ; Tel: - 044 - 49510300

date or one day ahead of the other. his brother Dhanush as both appear INFORMATION REGARDING 30TH ANNUAL GENERAL Dhanush plays a dual role in ‘Naane in different chapters of the film. MEETINGTO BE HELD THROUGH VIDEO CONFERENCE / OTHER AUDIOVISUAL MEANS, RECORD DATE & FINAL DIVIDEND Notice is hereby given that the 30th Annual General Meeting (“AGM”) of the Notice cum Addendum to the Scheme Information Document (SID) and Key Telesys Software Limited (“Company”) will be held through Video Conference / Other Audio-visual Means on Thursday, September 29, 2022 at 11:30 A.M. Information Memorandum (KIM) of the Schemes of Sundaram Mutual Fund (IST) to transact the businesses that will be set forth in the Notice of the AGM. In view of the continuing Covid-19 Pandemic, the Ministry of Corporate Affairs REVISION OF PRODUCT LABELLING (‘RISK-O-METER’) OF SCHEMES OF SUNDARAM MUTUAL FUND (“MCA”) vide its General Circular Nos. 14/2020, 17/2020, 20/2020, 2/2021, NOTICE is hereby given to the investors / unit holders that pursuant to SEBI circular no. SEBI/HO/IMD/DF3/CIR/P/2020/197 19/2021, 21/2021 and 2/2022 dated April 08, 2020, April 13, 2020, May 05, dated October 05, 2020 the Risk-o-meter of the schemes of Sundaram Mutual Fund (“the Fund”) shall stand revised as under. 2020, January 13, 2021, December 08, 2021, December 14, 2021 and May 05, Name of the Scheme Existing Risk-o-meter (Based on scheme Revised Risk-o-meter (Based on scheme 2022 respectively (collectively referred to as “MCA Circulars”), permitted the portfolio as on July 31, 2022) portfolio as on August 31, 2022) holding of the AGM through VC / OAVM, without the physical presence of the Shareholders at a common venue. In compliance with the MCA Circulars and other relevant provisions of Companies Act, 2013 and Rules made thereunder Sundaram Low Duration Fund (“Act”) and Securities and Exchange Board of India (Listing Obligations and Disclosure Requirements) Regulation 2015 (“Listing Regulation”), the AGM of the Investors understand that their principal will be at Low to Moderate Risk Investors understand that their principal will be at Moderate Risk Company is being held through VC / OAVM. In accordance with the aforesaid MCA Circulars and Securities and Exchange Board of India (“SEBI”) vide its Circular Nos. SEBI/HO/CFD/CMD1/CIR/P/2020/79, Sundaram Debt Oriented Hybrid Fund SEBI/HO/CFD/CMD2/CIR/ P/2021/11 and SEBI/HO/CFD/CMD2/CIR/P/2022/62 dated May 12, 2020, January 15, 2021 and May 13, 2022 respectively Investors understand that their principal will be at Moderately High Risk Investors understand that their principal will be at Moderate Risk (hereinafter collectively referred to as “Circulars”), the electronic copy of the Notice of the AGM and Annual Report for the Financial Year 2021-22 will be sent to all the Shareholders whose email addresses are registered with the Company / Sundaram Select Micro Cap - Series XVI Depository Participant(s). The Notice of the AGM along with the Annual Report for the Financial Year 2021- 22 will also be available on the Website of the Company Investors understand that their principal will be at Low to Moderate Risk Investors understand that their principal will be at Low Risk at www.telesysinfo.in and on the website of the Stock Exchange i.e., BSE Limited at www.bseindia.com and on the CDSL website at www.evotingindia. com Shareholders can attend and participate in the AGM through VC / OAVM facility only and their attendance shall be counted for the purpose of determining Sundaram Select Micro Cap - Series XVII the quorum under Section 103 of the Act. The instructions for joining the AGM are Investors understand that their principal will be at Moderate Risk Investors understand that their principal will be at Low to Moderate Risk provided in the Notice of the AGM. The Company is providing remote e-Voting facility (“remote e-Voting) to all the Investors are requested to note that, apart from the change in the Risk-o-meters as stated above, there Shareholders to cast their vote on all the Resolutions which are set out in the is no other change in the scheme features including nature, investment objective, asset allocation Notice of AGM. Members have the option to cast their vote using the remote pattern, terms and conditions of the above-mentioned Schemes. e-Voting or through e-Voting system during the AGM. The manner of voting All other terms and conditions of the Scheme Information Document(s) / Key Information remotely for the Shareholders holding shares in dematerialized and physical mode Memorandum(s) / Statement of Additional Information will remain unchanged. will be provided in the Notice of AGM. In case you have not registered your e-mail address and/or not updated bank This addendum forms an integral part of the Scheme Information Document (SID) / Key Information account mandate for received of dividend, please follow the below instructions: Memorandum (KIM) / Statement of Additional Information (SAI) to the schemes of Sundaram Mutual Fund as amended from time to time. Dematerialized Holding Register/update the details in your demat For Sundaram Asset Management Company Ltd account, as per the process advised by your Place: Chennai R Ajith Kumar Depository Participants (DP) Date: September 08, 2022 Secretary & Compliance Officer Physical Holding Form ISR-1 and other relevant forms with the Register/update the details in prescribed Corporate Office: Registrar & Transfer Agent of the Company, CAMEO CORPORATE SERVICES LIMITED. 1st & 2nd Floor, Sundaram Towers, 46, Whites Road, For more information please contact: Royapettah, Chennai-14. This Notice is being issued for the information and benefi t of all the Shareholders Sundaram Asset Management Company Ltd Contact No. (India) 1860 425 7237, of the Company in Compliance with the applicable circulars of the MCA & SEBI. (Investment Manager to Sundaram Mutual Fund) (NRI) +91 40 2345 2215 Fax: +91 44 2841 8108. Telesys Info-Infra (I) Limited, CIN: U93090TN1996PLC034615 www.sundarammutual.com (Formerly known as TELESYS SOFTWARE LIMITED) Regd. Office: SD/- No. 21, Patullos Road, Chennai 600 002. RAJENDHIRAN JAYARAM, SEPTEMBER 07, 2022 WHOLETIME DIRECTOR Mutual Fund investments are subject to market risks, read all scheme related documents carefully. PLACE: CHENNAI (DIN: 01784664)